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Chapter 1 Media experiences and New Media experiences (pages 13–32): Sean Cubitt
Chapter 2 the way forward for electronic Humanities is an issue of phrases (pages 33–52): Willard McCarty
Chapter three Media Dynamics and the teachings of heritage (pages 53–72): Thomas Pettitt
Chapter four Literature and tradition within the Age of the hot Media (pages 73–89): Peter Swirski
Chapter five The Economics of latest Media (pages 90–103): John Quiggin
Chapter 6 the tip of Audiences? (pages 104–121): Sonia Livingstone and Ranjana Das
Chapter 7 The Emergence of Next?Generation web clients (pages 122–141): provide clean and William H. Dutton
Chapter eight nationwide internet stories (pages 142–166): Richard Rogers, Esther Weltevrede, Erik Borra and Sabine Niederer
Chapter nine within the Habitus of the hot (pages 167–184): Zizi Papacharissi and Emily Easton
Chapter 10 lengthy dwell Wikipedia? (pages 185–190): Andrew Lih
Chapter eleven altering Media with Mobiles (pages 191–208): Gerard Goggin
Chapter 12 Make Room for the Wii (pages 209–218): Ben Aslinger
Chapter thirteen Improvers, Entertainers, Shockers, and Makers (pages 219–230): Charles Leadbeater
Chapter 14 The Dynamics of electronic Multisided Media Markets (pages 231–246): Patrik Wikstrom
Chapter 15 seek and Networked realization (pages 247–260): Alexander Halavais
Chapter sixteen opposed to seek (pages 261–273): Pelle Snickars
Chapter 17 Evolutionary Dynamics of the MobileWeb (pages 275–289): Indrek Ibrus
Chapter 18 Pseudonyms and the increase of the Real?Name internet (pages 290–307): Bernie Hogan
Chapter 19 New Media and altering Perceptions of Surveillance (pages 309–321): Anders Albrechtslund
Chapter 20 classes of the Leak (pages 322–335): Christoph Bieber
Chapter 21 Cybersexuality and on-line tradition (pages 337–345): Feona Attwood
Chapter 22 Microcelebrity and the Branded Self (pages 346–354): Theresa M. Senft
Chapter 23 on-line id (pages 355–364): Alice E. Marwick
Chapter 24 Practices of Networked identification (pages 365–374): Jan?Hinrik Schmidt
Chapter 25 the net and the hole Up of Political area (pages 375–384): Stephen Coleman
Chapter 26 the net as a Platform for Civil Disobedience (pages 385–395): Cherian George
Chapter 27 Parody, Performativity, and Play (pages 396–406): Jeffrey P. Jones
Chapter 28 The Politics of “Platforms” (pages 407–416): Tarleton Gillespie
Chapter 29 From Homepages to community Profiles (pages 417–426): Axel Bruns
Chapter 30 the recent Media Toolkit (pages 427–438): Mark Pesce
Chapter 31 Materiality, Description, and comparability as instruments for Cultural distinction research (pages 439–449): Basile Zimmermann
Chapter 32 studying from community Dysfunctionality (pages 450–460): Tony D. Sampson and Jussi Parikka
Chapter 33 teens on-line (pages 461–471): Lelia eco-friendly and Danielle Brady
Chapter 34 past Generations and New Media (pages 472–479): Kate Crawford and Penelope Robinson
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Additional resources for A Companion to New Media Dynamics
Paris: Editions de Minuit. deNardis, L. (2009) Protocol Politics: The Globalization of Internet Governance. Cambridge, MA: MIT Press. Elmer, G. (2004) Proﬁling Machines: Mapping the Personal Information Economy. Cambridge, MA: MIT Press. Feilhauer, M. , eds. (2009) ‘‘Ethics of Waste in the Information Society’’, special issue of International Review of Information Ethics, 11. M. ’’ Harvard Law Review, 116, 751–873. Fuchs, C. (2008) Internet and Society: Social Theory and the Information Age. London: Routledge.
By media studies we presume the study of the technical media as they have arisen since the nineteenth century, in four broad categories: print, recording, broadcasting, and telecommunications. Given the typical shapes of neighboring disciplines studying speciﬁc media such as literature and music, a common concentration has been on industry, governance, and audience, with a speciﬁc address to aesthetics only in the case of the technical media. A speciﬁc change then for new media studies has been that the genres and business models once regarded as proper to each of these categories have, with the rise of digital media, converged aesthetically and economically.
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